Say what you will
about slasher films being formulaic, but that underlying narrative
formula kept most of these movies moving along at a brisk pace. Born
from the “every ten minutes” rule codified by drive-in masters
like Roger Corman, slasher movies were the ultimate in apologetic
cinema. Sorry about the bits of story going on here, guys. Have a
complimentary decapitation! We're really sorry about this bout of
exposition. To make up for it, here's a scene of someone being
eviscerated! You really have to try hard to mess up such an easy
formula, but here we are. HELL NIGHT, a film that confuses spook show
for freak show and takes way too long winding up for a pitch only to
have it fly five feet then thud straight back to the ground.
What I'm trying to
say is that this movie is so damn boring.
The film begins at a
costume party thrown by the Alpha Sigma Rho fraternity. Despite being
absolutely jam packed with people, I have to wonder just how popular
this fraternity is as there appears to be only two pledges, Seth and
Jeff. When Lambda Lambda Lambda has more pledges than you do, it
might be time to close the doors. Anyway, as part of the hell night
initiation ritual, the pledges will have to spend the night in Garth
Manor, the obligatory haunted house of the film. Legend has it that
Raymond Garth had a bit of a meltdown one night and murdered his
entire family. But there may have been a survivor of that bloodshed,
a son who is now a raving lunatic, killing anyone who sets foot in
his home. Think THE HOUSE ON HAUNTED HILL except full of people who
say “radical”.
So Jeff and Seth are
locked in the property by Peter, head jerk of the fraternity, and to
keep sexual tension high, they're partnered with two girls from a
sorority, final girl Marti and Denise. Now I'm not entirely sure what
college these people attend, but I wouldn't be surprised if it turned
out to be Scooby Doo University as Peter and his friends begin
tormenting the pledges using plastic skeletons on fishing wire,
hidden speakers that play canned haunted house effects and two-way
mirrors. A good portion of the film plays out like this: Peter plays
a prank, spooking one of the girls. Enter one of the guys to
carefully and meticulously explain how the prank was done. Rinse and
repeat. It's like watching the worst episode of Ghost Hunters
imaginable (which says a lot). Unfortunately, the TV show these
pledges should have been recreating in their spare time was
MythBusters because whadda ya know? Turns out the legend of Garth
Manor is true and one-by-one they're all bumped off by a killer.
Which could have
been fun if this movie wasn't so damn boring.
I have a few
questions. If the Garth Family Massacre only happened about a decade
ago, why does Garth Manor look like it was ripped out of a Hammer
movie? There are candles everywhere. No electricity at all. Were they
Amish? And most certainly Garth Jr. would have killed someone during
the set-up for this little prank, right? I mean, it must have taken a
full day for Peter and Co. to put all those fresh candles all over
the house and set up the speakers and the mirrors and all the other
pranks. They've clearly done this before too so why hasn't anyone
else ever been killed before tonight? Do I even care? Not really.
But there's nothing
else to focus my brain on because this movie is so damn boring.
I did appreciate the
films willingness to kill off virtually everyone, sparing us a forced
happy ending. If only it spared us the forced romance angle between
Marti and Jeff. They're not terrible characters on their own, just
thinly sketched, two white do-nothings bitter about their
upbringings. Maybe if only one of the two was a self-important
whiner, I would have been more engaged, but together they combine to
form an unholy personality vacuum that just sucks all the fun out of
everything. Seth and Denise on the other hand are so pumped full of
hormones that I wouldn't be surprised if Denise's vagina had become
sentient, screaming “feed me!” over and over again in the middle
of the night. Seth does become the unlikely hero of the film later
on, but Denise's sole character trait is that she likes her quaaludes
and her Jack Daniels. I think I was supposed to be enamored by this
early 80s drug and alcohol abuse, but I could see through the
charade. It was just an excuse to get a lingerie-clad Suki Goodwin in
bed and keep her there for the majority of her running time. In fact,
a good portion of this film is devoted to people just lying in bed.
One of the many
reasons why this film is so damn boring.
It's also too
fucking long, clocking in just shy of two hours. That is far too long
to spend with six or seven characters you wouldn't want to share a
three minute elevator ride with. The film takes so long to get to the
killings that I honestly started to wonder if this film was ever
meant to have a killer in it at all. Maybe this was just a reworked
spook show script? The killer is uninspired visually, but as the
survival of these characters was the only thing standing between me
and my ability to do something better with my time, I found myself
rooting for him the entire film. I could see the light at the end of
the tunnel. Faster, Ugly Guy in Overalls! Kill! Kill!
Once the film was
over, I was noticeably happier. No more pranks. No more listening
to people I don't care about talking about living lives I can't
relate to. No more bad 80s humor. No more unironic uses of the word
“radical”. No more overacting. No more Linda Blair running around
in a corset… wait, that was something I liked about this movie.
Overall, HELL NIGHT
is too damn boring to recommend. Watch something else instead. Like
paint drying.
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