Juan Piquer Simon’s
1988 eco-horror flick SLUGS is a yuckfest in both senses of the word.
Equal parts gross and hilarious, this slimy shocker posits a town
under threat from man-eating slugs. Born from toxic waste and riddled
with parasitic flatworms that can incubate inside human beings, these
slugs are no ordinary garden menace. No, these fuckers bite and can
apparently move at 500x the speed of your average slug. Just watch
the film and witness how quickly hundreds, if not thousands, of slugs
can crawl up through a toilet. How does mankind stand a chance
against something that can move as fast a reverse shot edit?
Our hero is Mike
Brady, a city health inspector. In typical JAWS fashion, Mike will
soon become aware of the eco-terror lurking in the waters (the sewer
waters, that is), yet no one will believe his story. Not the police.
Not the mayor. The only people on Mike’s side are Don, a Department
of Sanitation worker, and John, an inexplicably British biologist at
the local school. Can our trio of intrepid mollusk hunters really
succeed against man-eating slugs so strong they can pull a full grown
man over the side of a ship?
No beating around
the bush here, SLUGS is dumb. Very, very dumb. But of course it is.
It’s called SLUGS, for fuck’s sake. On more than one occasion, a
character is found dead on the ground covered in the little buggers.
“How did that happen?”, you might ask. I don’t know. Slugs
can’t jump, nor can they group up to stretch a rope across a
doorway entrance to trip a man. They simply don’t possess the brain
power to plan out elaborate ambushes. I guess they just waited for
their victim to slip and fall. That happens a lot in this movie. For
example, an attractive (and very nude) couple both slip in slug juice
while trying to escape a bedroom that inexplicably became goddamn
slug central in a blink of an eye. Once they tumble to the floor,
they’re chewed apart in a matter of moments. That’s how most of
the deaths occur in this movie. People just slip and fall over. There
is one awesome exception, though. In the film’s most grotesque
batch of scenes, a man accidentally eats a piece of fluke-infested
slug then messily explodes in a shower of worms the next day at a
business meeting.
The most satisfying
moment in the entire film involves the slow, absurd death of some old
man who just wants to work in his garden. He slips on his gardening
glove (see what I did there?) only to find out the hard way that it
contains a hungry slug. As it goes about chomping on his hand, the
man thrashes around, eventually knocking over a couple bottles of
chemicals. His attempt at cutting the glove off his hand with a pair
of garden shears ends up with the man accidentally knocking a shelf
down on top of him. As his wife conveniently cleans the living room
with the loudest vacuum cleaner known to man, her screaming husband
starts to asphyxiate on the fumes from the chemicals. Eventually the
wife hears her husband hollering outside and arrives just in time for
the chemicals to cause a bit of a fire which zips on over to a normal
sized can of gasoline. And just like that, half of the fucking house
explodes.
It’s brilliant.
Real Naked Gun type of stuff. It would easy for me to continue to
trash this film left, right and center, only it’s kinda pointless
to do that. After all, SLUGS is NOT A HORROR MOVIE. This is comedy,
through and through. Even if it were purely an unintentional comedy,
it is a comedy. You cannot take this shit seriously.
The big plan Mike
comes up with is to dump a shit load of lithium based arsenic into
the sewers, despite John clearly demonstrating that the chemical
mixture explodes when it makes contact with water. In other words,
they could blow the whole damn town up. This plan is concocted a few
hours after Mike’s wife asks him “hey, about those slugs that are
all over the backyard… have you tried using salt?”.
In any real world
scenario, that’s exactly what would happen. People would use salt,
aka Slug Kryptonite. But this Juan Piquer Simon’s SLUGS we’re
talking about here. We’re talking about a hilariously stupid,
utterly repulsive bit of eco-horror exploitation. Ain’t no real
world shit in here. In fact, had this movie not ended with fireballs
exploding out of manholes, I would have been thoroughly disappointed.
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